Saturday, 19 September 2009

Sophie Ryder, Yorkshire Sculpture Park

egiptian munumental sculptures transcendented into contemporary. everything is there: the pose, the scale, the myth-creatures...

A look at Goldsworthy and de Karina

Similarities among the artist: site-specific sculpture and land art. both working in local material.

View from Brsec to Cres (Art by Ljubo de Karina)

See an overview of karina's work here: http://www.kulturaplus.com/k/program_view.asp?p=347&c=17&g=7

'pensilcircle' landart


, originally uploaded by ArtsPreserve.

emphesizing the importance of root/ base/ earth. or we can look at the whole image just as artsist improvement to the visual composition of otherwise uninteresting spot.

what is it, question for the art critic


, originally uploaded by nicolas geiser.

coincidental or intentional? how do one knows and what makes it an artwork then, intention or recognition?

Wednesday, 2 September 2009

Notes on visual perception

Interesting images to ponder and discuss
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Example 1.
p o o l. X


p o o l. X, originally uploaded by ho1gersson.

- One of excellent examples: from pasivity to action; deliberate change of orientation of the initial photo alters the perception. Sometimes it takes very little, just a little WITT and you are there! A good lesson.

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Example 2.
Bâle Art Basel "Conversation 3"


Bâle Art Basel "Conversation 3", originally uploaded by Tomawal.

just a remark on this: capturing the situation with the added value makes the art of its own - common use in many media.

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Example 3.
Mulhouse-Rue Jacques Preiss "Le bleu de ......bleu..."
Mulhouse-Rue Jacques Preiss "Le bleu de ......bleu...", originally uploaded by Tomawal.


Another valuable lesson: interaction of natural and man-made, most interesting in extreme sizes.

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Example 4. seek and you will find... OP ART

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Example 5. Classical meets contemporary sculpture
Classical meets contemporary sculpture, originally uploaded by Le.Mat.

excellent example of contemporary witt; baloons adding to the thought, aren't they?